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About Nacho Frades

“Desires”

Times Square Superchief Gallery.

Nacho Frades is a Spanish digital artist and painter, born in Madrid in 1967. His journey into the world of art began early, influenced by the books and artworks that filled his childhood home. A particularly striking memory for him was a portrait of El Greco painted on a piece of furniture, which left a lasting impression. By the age of 10, Nacho was already painting with Oils, frequently visiting museums around Madrid. This passion led him to join the Círculo de Bellas Artes (CBA), one of Europe’s most significant private cultural centers, known for its embrace of innovative artistic trends. At the CBA, he honed his drawing skills, laying a strong foundation for his future work.

Frades furthered his artistic education by pursuing a Master’s degree in the south of Spain under the tutelage of renowned artist Antonio López.

His work often evokes a futuristic subconscious, blending metaphysical themes with architectural elements to express an "unseen world" of light, temperature, and calmness.

His art has found a global audience, with pieces held in private collections across the United States, United Kingdom, Spain, the United Arab Emirates, Singapore, the Caribbean, etc, his works has been also shown in billboards all around the world ending in Times Square giant billboard thanks to ArtCrush Gallery, and another exhibition in Times Square too thanks to Superchief Gallery.

Frades is also a pioneer in the cryptoart and NFT space, with his digital creations featured in prestigious collections such as the Museum of Contemporary Digital Art (MoCDA) Permanent Collection, and the Museum of Crypto Art (MOCA) Genesis Collection.

Let’s dive deeper into Nacho Frades’ artistic style, which is a fascinating fusion of traditional influences, digital innovation, and a metaphysical sensibility that sets him apart in the contemporary art world.

Nacho Frades’ work is characterized by a seamless blend of classical painting techniques and cutting-edge digital tools, reflecting his dual roots in fine arts and the animated film industry. His style can be described as “luminous minimalism with a futuristic twist” often evoking a sense of serenity and otherworldliness. He draws inspiration from the unseen—light, temperature, and emotion—translating these intangibles into visual compositions that feel both meditative and expansive.

Frades has a masterful command of light, reminiscent of the chiaroscuro techniques of old masters like El Greco, whom he admired as a child. In his digital works, light doesn’t just illuminate—it defines the mood and structure of the piece. His canvases often feature soft gradients and glowing focal points, creating a sensation of depth and stillness. This interplay of light and shadow gives his art a dreamlike quality, as if the viewer is peering into a quiet, alternate reality.

A recurring motif in Frades’ work is the use of architectural forms clean lines, geometric shapes, and expansive spaces. These elements, influenced perhaps by his studies in Architecture and his exposure to Madrid’s cultural landmarks, serve as a framework for his explorations of the "unseen world." His piece “The Chair of the Queen”, for instance, juxtaposes a solitary object against a vast, minimal backdrop, inviting contemplation of its symbolic weight within an almost infinite space.

Frades’ art transcends the purely visual, aiming to evoke a subconscious response. He describes his work as a reflection of "calmness inside happiness," and this is palpable in his compositions. His use of muted yet vibrant color palettes—think soft blues, warm ambers, and ethereal whites—combined with sparse, deliberate forms, mirrors the introspective quality of meditation. This aligns with his broader creative output, including his book of meditations, suggesting that his art is as much a spiritual practice as it is an aesthetic one.

Having worked with digital painting since 1987, Frades leverages technology to achieve a precision that enhances, rather than detracts from, the organic feel of his art. His brushstrokes, though digitally rendered, mimic the fluidity of traditional media, while his compositions often feature subtle textures that suggest a tactile quality. This balance allows him to push boundaries experimenting with scale, perspective, and abstraction while retaining a humanistic warmth.

Frades’ style has evolved significantly over the decades. His early exposure to Madrid’s museums and the Círculo de Bellas Artes instilled a reverence for classical art, while his mentorship under Antonio López—a titan of Spanish realism—grounded him in meticulous observation and form. Yet, his pivot to digital painting in the animated film industry introduced a cinematic scope to his work, evident in the expansive, narrative-like quality of pieces like *Desires in Times Square*. This piece, with its urban undertones and vibrant energy, nods to his ability to adapt his meditative style to dynamic settings.

Frades’ art speaks to a modern audience because it balances accessibility with depth. His works are visually striking yet invite prolonged reflection, appealing to both casual viewers and seasoned collectors. The digital medium amplifies this reach, allowing his pieces to live on screens, in galleries, and within blockchain ecosystems. His ability to infuse futuristic tools with timeless themes—light, space, and emotion—positions him as a bridge between art’s storied past and its boundless future.

The Chair of the Queen

The Chair of the Queen

“Man working to feed his children”

Times Square ArtCrush Gallery